Bach am Freitag

Ever since Seiji Ozawa went on the injured reserve for the global musicians’ squad, I have been feeling more compelled to get behind the axe, thus:

A joyous C-major prelude, vite:

Bitte enschuldigung für die Fehler am anfang des zweiten Minuten-zeichen [Please excuse the mistake at the outset of the second minute mark — it’s for Seiji, man]!

and some G-major semidemiquavers in the quasi-style, though not equal to even a quasi of the skill, of Pablo Casals:

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