I was in North Korea for several days in the middle of March 2016. While my main purpose was to visit the Sinchon Massacre Museum for a Korean War research project in which I am engaged, I was also quite interested in the performing arts and arts scenes, since those are areas which are relatively more permeable to foreign researchers and ones in which the … Continue reading Notes on the Music Scene in Pyongyang
Today, media in Beijing announced that the Moranbong Band, the all-female ensemble associated closely with Kim Jong-un, will be travelling to China for five days of performances. An academic paper I delivered last month about the Band is available in audio on SoundCloud; the accompanying Powerpoint is available at the following link: Moranbong Band presentation. Citation: Adam Cathcart, “The Moranbong Band and Regime Consolidation in the … Continue reading The Moranbong Band and Regime Consolidation in the DPRK
While having ostensibly little to do with the East Asian themes that normally permeate this website, the following post is connected to my interest in German classical music and specifically opera. Regular readers more interested in Northeast Asia can trace Wagner’s relevance for studies of state-driven culture in the region more fully via my article ‘North Korean Hip-hop? Reflections on Musical Diplomacy and the DPRK‘ (Acta … Continue reading Opera North and ‘The Flying Dutchman’: A Review
Unlike songs which can put forth a new policy line in the space of a day or two, films take longer to congeal and embody ideological shifts. Chinese media covered this film “Rice Plant Flower” 《稻花》with a slight implication that there might be something about wealth accumulation in it, but it looks to be quite orthodox and in no way indicative of the Party’s reported … Continue reading Songs, Film, and Ideological Shifts in the DPRK
Even before Kim Jong-il’s tremulously-announced death in Dec. 2011, the North Korean musical-cultural apparatus-elite-complex was in valedictory mode, producing huge orchestral canatas that expressed a perfect –and complete– vision of the Dear Leader’s full contribution to the ongoing North Korean revolution. Had Kim Jong-un chosen to take up only these modes of cultural commemoration, they were clearly within his grasp. Instead, months after his father’s … Continue reading Researching the Moranbong Band: An Abstract
This is the introduction to a paper which I prepared for an Association of Asian Studies panel on captured wartime documents in Korea, Association for Asian Studies Annual Meeting, Philadelphia, 29 March 2014. The panel was organized by Chuck Kraus and the discussant was Bruce Cumings. The images that accompany the presentation can be accessed via clicking on this link for PowerPoint slides. — Adam Cathcart Usually in modern … Continue reading Enemies and Allies in North Korean Art and Archives, 1948-1952
“In early adolescence I was completely in the grip, at once ambiguously pleasant and unpleasant, of time passing as a series of deadlines – an experience that has remained with me every since. The day’s milestones were set relatively early in that period and have not varied. Six thirty (or in cases of great pressure six; I still use the phrase “I’ll get up at … Continue reading On Deadlines, and Morning: Edward Said
