I recently was confronted with the absolute revelation of the parallel career of Edward Said, comparative literature professor at New York University and famous analyst of the Arab world, as nothing other than a music critic and musicologist. His Music at the Limits: Three Decades of Essays and Articles on Music includes an introduction by Daniel Barenboim, but it is Said’s writing and grasp of … Continue reading Edward Said as Prose Stylist
One of the beauties of living in an existence torn between the 19th century (hemmed by Prussian systems, Schumannian aufschwungen, the epistolary desire) and the 21st century (all the while examining the positive wreckage of the 20th century) is that occasionally you can show up in the 21st century — in the present! — and just be there. And, perchance, to dream about the future…to … Continue reading Transmediale Infusion
The New York Times carries a completely redact-worthy essay by composer Glenn Branca, entitled “The End of Music?” Apparently the only people who write music that matters live in Malibu and New York. Fortunately I have a few retorts: 1) North Korean MCs are on the way, as discussed in my forthcoming article “North Korean Hip Hop? Reflections on Musical Diplomacy and the DPRK” in … Continue reading Music is Dead? Whatever.
Tiersen is in town, and the French are back. Much prevaricated against this event taking place at all. After all, as this blog has reported, the Chinese masses (or at least the mass media) has not been friendly of late to France. In addition to prevaricating against the mayor of France for hosting the Dalai Lama, the Chinese media also recently mocked Sarkozy for standing … Continue reading Yann Tiersen Concert